In the wake of the original Star Wars trilogy, the late ’70s and early ’80s saw a wave of movies attempting to cash in on the public’s renewed interest in science fiction and fantasy. On the plus side, we got a revitalized Star Trek franchise. But then, we also got Starchaser: The Legend of Orin, so…yeah, mixed bag. See, the vast majority of movies inspired by the success of Star Wars were pretty…um, uninspired. And most of the ones that did turn out well, like The Last Starfighter, weren’t exactly original. But there were a few such films that stood out, and one in particular that (in my opinion) REALLY stood out. I am of course referring to the awesome Sci Fi/Fantasy mashup that is….KRULL!
What is Krull?
Good question. Krull is a movie set on a distant planet (also named Krull) that exists in an unknown galaxy. I know what you’re thinking. “A long time ago in a galaxy, far, far away? How original.” And perhaps you’d be right, if Krull were a desert planet, or one with futuristic technology. But it’s not. Its people use swords; they live in castles and cottages and caves; some of them practice magic (with varying levels of success, but more on that anon). Yeah, that’s right: Krull is a world of high fantasy. At least until…
Here’s where things get kooky. Remember how I said Sci Fi/Fantasy, not just Fantasy? Well that’s because, as the movie starts, Krull gets invaded. By aliens. A giant telepathic shapeshifting alien known as The Beast. His ship, a monstrosity called The Black Fortress, touches down on Krull’s surface and disgorges an army of laser-wielding shocktroopers called Slayers. They promptly lay waste to the countryside. Naturally, an army of technologically advanced monsters will make whatever petty quarrel your kingdom has with another kingdom seem silly by comparison; it’s time to unite. The two rulers of Krull decide to do just that. One king’s daughter marries the other king’s son, making the two kingdoms one. Apparently Prince Colwyn and Princess Lyssa have had the hots for each other for a while, so they’re cool with it.
But guess who isn’t cool with it? THE BEAST!!! Slayers attack the castle where the wedding is happening and kill everyone except Colwyn (they meant to, though. It would be weird if they didn’t even try, right?). They capture Lyssa and take her to The Black Fortress, so The Beast can make her his bride. Why? Well, because there is an ancient prophecy about her: “A girl of ancient name shall become queen, she shall choose a king. Together they shall rule their world, and their son shall rule the galaxy“. The Beast wants to rule the galaxy, so he figures he’ll try the old kill-everybody-they-care-about-and-promise-them-power-on-the-off-chance-they’re-willing-to-overlook-that-whole-killing-everybody-they-care-about-thing-from-earlier trick. So he’s holding her hostage in the Black Fortress, which randomly teleports to a different part of Krull every day, and Colwyn wants her back. With the help of an old seer, a gang of oddly pleasant escaped convicts, a not-very-talented “wizard,” and a brooding cyclops, Colwyn has to find an ancient magical weapon of great power, find the Black Fortress, get inside before it vanishes, fight his way through scary foot soldiers with laserthingies, rescue Lyssa, and kill The Beast. Yeah, it’s pretty intense.
Here’s the trailer:
…Are you still there? Good. I only want people who are committed to this! Now that we’ve weeded out the nonbelievers, let me explain why that wasn’t as stupid as you thought it was.
What’s Great about the Movie:
1. The Premise. One of the things that makes Krull unique is the fact that it’s a mashup of the Sci-Fi and Fantasy genres. The idea that Krull is in the rough equivalent of our earth’s Middle Ages is really cool; its buildings, costumes, and weapons have a vaguely familiar medieval look about them, but they’re also exotic enough to remind us that this is another planet. It also becomes clear as the story unfolds that Krull has its own unique history, traditions, and legends and myths.
2. Almost Everyone Gets a Character Arc. Seriously, this does not happen often in movies. Hell, these days we’re lucky if the main character in an action movie has any character development whatsoever. But that’s what’s so fascinating about Krull. You’ve got the main protagonist going through the basic Hero’s Journey arc, the convicts who are reluctant to help him but eventually come to care about their mission, the bungling wizard who overcomes his cowardice, the melancholy cyclops who embraces his destiny; I could keep going, but just see the movie instead of reading about it, okay?! GO!
3. The Score Is Amazing. James Horner really knocked it out of the park on this one. There’s a reason why the man’s got two Oscars under his belt (I could list all the movies he’s done, but you could just Imdb it if you’re curious, so why bother?).
4. The Writer and Director Were Clearly Passionate About Their Project. Peter Yates directed this movie. He was responsible for some of the best dramas of the late 20th century, but with Krull he was able to balance lighthearted adventure and dark fatalism perfectly. He also got the actors to take their roles seriously when it would have been easy to play it camp. As a result, the film is fun, but a little more introspective and atmospheric than other Star Wars rip-offs. I think Yates’ direction is largely responsible for that. I’d be remiss if I didn’t also give credit to Stanford Sherman, the writer. He wrote a lot of camp; it’s what he was most well-known for (I won’t lie and tell you all of his work is good, but I will say that Sherman’s post-Krull fantasy, The Ice Pirates, is a hilarious and self-aware parody of the genre). Maybe it’s because he had so much experience writing deliberately silly scripts that he was able to give Krull the right amount of self-awareness. Not enough to make it a comedy or parody, obviously, but enough to remind the audience that its primary goal is to entertain, and we don’t have to take it too seriously.
5. It’s Fun to See Famous Actors, Both Old and Not So Old. Like any good post-Star Wars sci-fi/fantasy, Krull features a few veteran classical actors slumming for a paycheck. But it also has a few faces modern audiences will certainly recognize:
5. The Set Design of the Black Fortress is Inspired. The Beast’s lair/spaceship/love nest is super trippy. The environment constantly changes, whether it’s to keep intruders out, or prisoners in. At times, it seems like the place is alive. Maybe it is.
So Why Remake It?
My philosophy for remakes is simple: you should only attempt it if you think you can tell the story of a movie in a better or more unique way. I try to reserve judgment on remakes until I’ve seen them, because there’s a good chance that they might be just as interesting (if not more so) than the original, like the newer versions of The Italian Job or Ocean’s 11. But in order to justify a remake, the original has to have untapped potential. After all, what did the remake of Clash of the Titans do besides suck all the joy and fun out of a silly but earnest fantasy film? And did the new Fright Night really say anything that the original didn’t? With Krull, though, there is potential to expand on the story, especially since its concept (more than the actual story) is the best part. Since I just mentioned some of the great strengths the original has, let’s look at a few ways a remake could tell the story better:
Better Special Effects. The original has some great set designs, as I mentioned earlier. If they ever remake Krull, they should NOT use green screens or depend too much on CGI when practical effects will do. Some of Krull‘s greatest triumphs are in the clever application of practical effects (there’s an especially well-done scene with an evil shapeshifter that terrifies me to this day). However, there are several moments in the film where I can’t help but feel underwhelmed. The magic effects look bad, and many of Krull’s locations and wildlife aren’t nearly exotic as they ought to be. I think some creative applications of modern motion picture technology would take care of that.
2. Exploit the Setting. Some movies spend too much time with exposition. Krull doesn’t spend enough time with it. As I mentioned earlier, it’s really cool to imagine what another planet would look like during its equivalent of a medieval period. What would be different about it? What wouldn’t be different? Unfortunately, in the movie, we don’t get much more than a taste. Most of the action occurrs in the wilderness, with a small group of heroes against The Beast and his Slayers. We don’t get to see the cities and villages of Krull, nor do we know why the two kingdoms were fighting one another to begin with. We can tell from conversations and quick glimpses that Krull has its own religious ceremonies, ancient myths, prophecies, holy people, and even a class hierarchy. But the movie just assumes we know all this stuff, and doesn’t bother to elaborate on it (I’d like to think that Sherman had a lot of Krull’s history and mythology figured out in an early draft of the script, but I haven’t researched it, so it may just be wishful thinking). I propose a few scenes and some dialogue here and there to make us understand Krull a little bit better, especially when it comes to the magic users we meet in the film and their past. Oh, and there should also be a ton of animals (domestic and otherwise) on Krull that are unique to that planet. They don’t have to look SUPER different, but just enough to remind us that we’re not on Earth. Finally, I think we need to see a much larger portion of the planet; different continents, different races, different climates. Even if it’s just for a brief amount of time, this establishes The Beast as a threat to the WORLD of Krull, not just the (apparently white, mostly male) kingdoms of Krull.
3. Jettison the Damsel in Distress Subplot. This one’s easy. Even though Lyssa is smarter and a little more determined than your average damsel trope, she spends the entire movie trying (halfheartedly) to escape from The Black Fortress. Except for the beginning of Act 1 and the end of Act 3, she doesn’t have much to do. So let’s not have that. Instead, at the opening of the film, let’s have Lyssa be a warrior. She’s a battle-hardened commander for her father’s army. Instead of showing her and Colwyn falling for each other off-screen, maybe they meet face-to-face in battle and almost kill each other. Over time, as their kingdoms fight again and again, they develop a grudging respect, then a friendly rivalry, then…something more. On their wedding night, almost everybody gets killed, but the two lovebirds escape, and they decide to kill The Beast. This way, instead of simply rescuing a princess, the motivation for storming the Black Fortress is revenge and security, and Lyssa and Colwyn are equals on this quest. Sure, The Beast still wants to seduce Lyssa, but that’s part of a bigger campaign of psychological warfare he’s inflicting on all of the heroes. Now we don’t see the Black Fortress (at least not from the perspective of the heroes) until the end of the movie, which increases the uncertainty and terror as the adventurers force their way in.
That’s all I would suggest. I honestly think, if these changes are implemented, everything else would fall into place.
At the time of this post, Krull is about 30 years old. Hollywood is fast running out of movies to mine for ’80s nostalgia, and I think this one is better-remembered than people realize. And hey, even if nobody remembers it, they’ll still pay to watch a movie that looks exciting enough…Right? Well, it doesn’t really matter if they remake Krull. I don’t need an excuse to wax nerdrantical about movies I like. I never have; you can ask literally anyone who knows me.
Need I reiterate that this is all opinion-based? I guess I will. It is. As you have undoubtedly discovered, I am heavily biased in the movie’s favor. HEAVILY. So there you have it. I unironically enjoy Krull a great deal and I recommend it to anyone who likes space operas, high fantasy, or both. Give it a watch and let me know how you feel about it, and whether you feel a remake is a good idea. Let me know in the comments which films you think deserve to be remade, and what you would change if you could. Feel free to stay if you want, but I’m going to get a sandwich. And no, it doesn’t matter when you read this. Odds are, I’m getting a sandwich then, too.
P.S. At the time of this posting, Krull is available, in its entirety, on Crackle. I hope it stays there for a while, but who can say? Pay attention to their description of the film; it’s accurate. And don’t listen to those Poindexters at Imdb and Rotten Tomatoes!